Artwork
A small gallery of photos from my travels and pieces made from my research data. Reproduction & feeding to generative models are strictly prohibited.
Asakusa Side Street
Tokyo (Asakusa), Japan (2018). After the rain.
Flash
F0 contours for 573 recordings with different rises and falls. Recordings are my own from my research on rising intonation. R with postprocessing in illustrator.
Győr Basilica
Győr, Hungary (2023). Basilica spire.
Győr Side Street
Győr, Hungary (2023). Side street by the Győr Benedictine Church of St. Ignatius of Loyola.
Log Rings
Average log-transformed duration differentials at the word, syllable, onset, rime, nucleus, and coda level for five intonational tunes compared to H*L-L% as a baseline. Aggregated by metrical structure. Recordings are my own from my research on RFR intonation. R and illustrator.
MI Rates, Hard Light
Probability of a Yes response to questions that probe what I refer to as the 'merely inference.' That is, the response to questions like 'Would you conclude that it is not merely warm?' As with my SI rate piece, 64 lexical scales are shown here. Upright triangles show RFR tunes (high boundary tone) and upside down triangles show falling tunes (low boundary tone). Proportion for each tune determines the amount of fill for a given color. Blue, red, and gray were used with hard light blending. Data taken from my research on RFR and SI. R.
Mitsukejima
Noto, Japan (2018). A couple outside of Mitsukejima.
Nikko
Nikko, Japan (2018). 日光東照宮前。
Prague
Prague, Czech Republic (2023). From under an archway.
SI Rates, Darken
Probability of scalar implicature calculation for 64 lexical scales. Upright triangles show RFR tunes (high boundary tone) and upside down triangles show falling tunes (low boundary tone). Proportion for each tune determines the amount of fill for a given color. Cyan, magenta, and yellow were used with a darken color blend mode to mimic printer ink. Data taken from my research on RFR and SI. R.
Sleep
F0 contours for 3280 recordings with six different intonational patterns. Colored by pitch accent with multiply blend mode for the overlap. Recordings are my own from my research on RFR intonation. R with postprocessing in illustrator.
Visage
Side profile doodles over a year or so. Ballpoint pen on notebook paper. Collage made digitally after scanning.
Waves
F0 contours for 3280 recordings with six different intonational patterns, divided by metrical structure. Arranged by marginal counts. Recordings are my own from my research on RFR intonation. R with postprocessing in illustrator.